The Marvelous Toy

Now nearly 100 years old, the wooden baby doll crib has survived for another generation.

One of my mother’s finest qualities was her absolute lack of racial prejudice. Troubled as she was in many ways, Betty had not a racially biased bone in her body. She always attributed her attitude—so unusual for a person born in Indiana in 1930—to having been, while a very young teen, the babysitter for a Black infant. The neighborhood in which Mom grew up was racially diverse, and the baby’s mother was forced to go out to work as a house cleaner for wealthier families. She paid my then-teenage Mom a very welcome pittance to watch her infant. My mother always explained that the experience of caring for that Black child made her realize that skin color was merely that—color—and that we are all, each of us, just members of the human family.

Mom had been born right at the start of the Great Depression; her family of nine children was poor. There was no money in their household for any luxury. When she was a very small child, though, the local fire department sponsored a Christmas used-toy drive for children in need. One of the gifts they collected was a wooden doll crib. Refurbished by the firefighters, the doll crib became my mother’s Christmas gift that year. She and her sisters each played with their few dolls in the crib.

In due time, when I was a tiny child myself, the wooden crib (given a fresh coat of gleaming white paint by my Fire Chief paternal grandfather; firefighters are handy people!) was passed along to me. In keeping with the beliefs that my mother wished to convey to me, two dolls lay snuggled in that crib in the corner of my bedroom: Lisa, my life-size baby doll, and Amosandra, my Black Amos ‘n Andy doll (whose unfortunate name was my Dad’s contribution—he thought it was just funny as hell. That was Dad for you.)

When I outgrew dolls, the little white crib was abandoned forlornly in the attic. But years later it came down once more, to be played with by my own daughter, who, yes, had a Black babydoll nestled there with her other dolls. As she later marched off to middle and high school and college, the crib went to rest in Mom and Dad’s attic once again.

Decades passed, and the circle of life turned. First Mom, and later Dad died, and my brother, cleaning out the attic of Dad’s home, discovered the doll crib.

Now nearly 100 years old, the crib had survived the harsh hot-and-cold environment of the attic quite well. The wood was not warped; the metal screws had not rusted. The crib had been greatly beloved and well-treated by multiple sets of childish hands; it was in excellent condition, although badly faded and yellowed. Even the little quilt that my mother had hand-pieced for the crib had survived.

And so I brought the doll crib home once more, to be given to my own little granddaughter. Her tiny bedroom was so stuffed with toys already that there was no room for the crib; but she was in my home every week for childcare—my living room looked like a Toys ‘r Us!–so I parked the doll crib unobtrusively in a corner, where Morrigan joyously discovered it. I had washed the quilt and sewed a pillow, and now her three baby dolls—two white and one brown, in keeping with family tradition—cuddled under one of her own discarded baby blankets.

But there was no denying that the crib’s paint was badly yellowed. What color, I asked her, would she like me to paint the crib?

It was a silly question. Morrigan played constantly with her African American Doc McStuffins doll, and with all the Doc’s pink accoutrements. There was no question but that the crib must be “pink like Doc McStuffins!”

docmcstuffinspink (2)

Pink it was. Two full cans of flaming hot pink spray paint later, the entire crib was, for the first time in its long history, no longer shining white, but gleaming, bright Doc McStuffins’ pink.

I found myself humming as I added coat after coat of paint to the crib—humming a song I had not heard in decades, the words rising to my mind as if I had just listened to the music yesterday: “When I was just a wee little lad/full of health and joy/my father homeward came one night/and gave to me a toy…” The Marvelous Toy, I now recalled the song was titled, the lyrics recounting the tale of a wondrous toy that was passed from one generation to the next.

My painting completed, I snuggled all three baby dolls back into the restored crib, smiling at the little white and brown faces nestled together.

Mom would be so pleased.

If you’d like to read the story of “Amosandra”, my wonderful Black baby doll, you can find it by scrolling to the Archives, below. It was published June 1, 2018.

For Good (The Dollhouse)

Good heavens! Five hundred dollars? Should I even allow a 3-year-old to play with it?!

A few weeks ago, cleaning out the attic at my late father’s home, my brother brought down two items from my daughter’s childhood: a nearly 100-year-old babydoll crib that had been passed down for several generations, and a dollhouse.

I knew the crib was quite valuable as an antique toy, but I also knew it was the perfect time for it to be given to my little granddaughter, who at age 3 was a wonderful “dolly Mommy”. She would be delighted by it. My mother, I, and my daughter had each played with that doll crib. It had, as I had always heard the tale, been a used toy donated to a collection effort organized by a local fire department during the Depression. Cleaned and restored by the firefighters, it became my own mother’s childhood Christmas present. When she’d passed it on to me, she’d pieced a small quilt for it, which also still survived. There was no question but that the doll crib, valuable antique or not, would be given to my granddaughter to play with.

I was even more thrilled by the dollhouse. I’d spent far too much money on it when I bought it for my daughter in 1993; it was a true gem. She’d loved it and taken such good care of it that nearly all the miniature pieces remained intact, even to the tiny blankets that I’d crocheted for the little beds and cribs.

So I brought both toys home and began the arduous process of cleaning them up. They were filthy with dust and insulation from their 25 years of storage in the attic, and (though I’d certainly never seen a rodent in my Dad’s house) smelled faintly of mouse. I washed and wiped and disinfected, and used up an entire package of cotton swabs cleaning tiny nooks and crannies. My efforts paid off; cleaned and restored, the toys looked wonderful.

I knew that this type of dollhouse was no longer manufactured. Large and well-made of heavy plastic, with intricate accessories, the cost of such a toy all these years later would have become prohibitive. But I began to research the dollhouse on resale sites, hoping to find a few more accessories to add to it. That’s when I received my mild shock.

A complete set, dollhouse, two families of dolls (Caucasian and Asian) and virtually every one of the tiny accessories, was worth at least $350, and probably closer to $500. For each of those 25 years that the dollhouse had waited there in the attic, accumulating dust, it had been gaining in value.

Good heavens! Five hundred dollars? Should I even allow a 3-year-old to play with it?!

Of course I should. After all, what good was a toy sitting untouched, unloved? If she broke it, lost the pieces, then Rah-Shar*! So be it. It had been her mother’s toy. It was now hers.

My decision was totally vindicated when, arriving at my home, the little one approached the dollhouse slowly, not quite believing her eyes. Then she knelt before it, her breath exhaling on a long, slow expiration of wonder and delight: “Aaaahhhh!” IMG_20220209_115630804_1pWithin moments, she dived in like a swimmer into deep water and began to play, surfacing for air only occasionally. The whole day went to hell in a handbasket as far as normal activities–getting dressed or combing hair, brushing teeth or taking a nap, or even eating meals–was concerned. Darting between the doll crib and the dollhouse, she played, and played, and PLAYED. Later she would tell her mother, “We didn’t have the TV on all day!”

In the afternoon, when a friend arrived to visit, she provided a “tour” of every accessory, doll, and feature of the dollhouse. Together we called her mother to say, “Did you know this thing has a doorbell?” (No, she didn’t.) When Mom arrived to pick her up, she repeated her service as a tour guide to the astounding wonders of the dollhouse.

Watching them—her mother grinning, the little child carefully displaying every marvelous feature of her new toy, I suddenly remembered something I’d written and posted to this blog nearly five years earlier, in an essay titled, “Saving Things for Good” (November 9, 2017). I’d been speaking about regularly using my fine china and crystal, regardless of the fact that I might break the lovely pieces, “…taking pleasure in them, because no matter how precious they may be, they are valuable only if they are appreciated”.

Like the beloved toys of the well-known movies, the dollhouse, awakening from its long sleep in the attic, had gained new life under the loving hands of a delighted child. Its worth lay not in its assessed monetary valuation, but in the joy it gave; was giving.

As I had written all those years earlier and now remembered: “Hoard nothing. Treasure everything. And save nothing “for good”, for our good is right now.”

You can find the post “Saving Things for Good” in the Archives. *You can also read more about the exclamation “Rah-Shar!” in the re-published post by that name from January 5, 2022.