Paper Calendars

§   I don’t believe that I can be the only person who eschews technology to use a paper calendar, despite those convenient (and often so, so irritating!) reminders on one’s cell phone.  §

I use paper calendars. I do put the odd reminder (“Take the trash bin to the curb”) into my phone, but my paper calendar is sacred to all the genuinely important things in my life: not just the birthday, but the date by which I should mail the card or wrap the gift or call the person celebrating. The unpleasant reminders of dental visits. “Write to the twins.” “Touch up my roots.” “Babysit Morrigan”. “Shakespeare in the Park performance tonight”. Those events are entered the right way: with colorful stickers and bright marking pens and occasionally even glitter—entered, and then satisfyingly marked off.

As the close of each year approaches, I take down the paper calendar, now grown wrinkled and spotted, and, sifting through its pages, transfer vital notations—the birthdays and anniversaries and all the other important detritus of daily life–onto the pages of the pristine calendar that I will be using in the coming year.

I don’t believe that I can be the only person who eschews technology to do this, either, despite those convenient (and so, so irritating!) reminders on one’s cell phone. I know it can’t be just me using this old paper method, for the stores each fall are clogged with pretty paper calendars and desk pads and planners, while charity organizations (the same ones which so consistently dun me for donations) also mail free wall calendars by the dozens.

But I am choosy when it comes to selecting my annual calendar. I require spacious boxes in which to write notations—none of that square-cut-into-triangles nonsense squeezing in a date at the bottom of the page! I have one other very specific requirement: that the photos which decorate the pages of specific, special months always be ones I like.  Everyone using a paper calendar knows precisely what I mean, I’m sure: out of a dozen lovely photos, there will always be at least one, if not two, that just don’t appeal. I find it acceptable to look at a few such unappealing pictures throughout the year just so long as the scorned photos do not decorate the pages for my own month of birth, nor that of my daughter and granddaughter. Those pages must always contain pictures that I genuinely enjoy. I also appreciate seeing notations for phases of the moon, as I am moon-mad, loving to witness the changing lunar landscape. I’ve been known to page through the dates of the upcoming year making notations such as “Blue Moon”, “Super Moon”, “Lunar Eclipse”. One of my old calendars bore the rare notation “Transit of Venus”; others remind me of the annual Perseids meteor shower.

But these days when I hang up my new calendar, I always recall one year, one very sad year, when I waited desperately for New Year’s eve so that I could pull down and dispose of the very lovely calendar hanging on the side of my refrigerator.

My calendar that year had been a gift—and a constant reminder of a terrible day. A friend, Terry, diagnosed one awful afternoon with stage four lung cancer, had wakened the very next morning to the death of her sweet old giant of a dog. Having no family close by to help, she reached out to her friends.  After we ferried poor Sadie dog on her final journey to the vet’s office for cremation, two of us kept Terry occupied, first with brunch and then shopping.  It was then that we’d found some lovely paper calendars, and our friend bought one for each of us.

That same paper calendar was hanging in its usual spot on the side of my refrigerator when, just nine months later,  Terry died.

Each month that year as I turned the calendar to a new page, I’d been reminded of Terry’s diagnosis and loss and consistently failing health. Each month, I wished that I’d hung up any other calendar–even one I didn’t like–rather than this one which bore such sad associations.

Three months after Terry’s passing, I was finally able to consign that lovely, unhappy calendar to the trash bin. I hung up another, brilliant and new and totally free of links to distressing events.

I still use paper calendars, and plan to continue doing so. But I have learned an important lesson: I’ll never again put up a calendar chosen on a day with painful associations. And I will forever keep a spare calendar in abeyance, to be substituted if necessary, should the one I am using become connected with a terrible pain or loss or death or sadness.

I’ve never lived a year of my life without heartbreak occurring somewhere on the page; I don’t expect I ever will. But I hope to never again keep a reminder of sorrow hanging for months on the wall of my home.

My Life in Photos

There is shortcut file on my computer desktop titled, “My Life in Photos”.

This is a fairly unusual file to be maintained by a person who is well-known among all her friends and family, to hide her face from every camera. (“Point that camera at me,” I have been heard to say, “and I will turn you into a frog.” And, if they persist, I instruct, “Start picking out your lily pad!”)

The simple truth is that I take horrifically bad pictures. Some individuals are gifted with just that flawless bone structure, that enviable arrangement of facial features, so that the play of light and shadow in the two-dimensional image of a photo results in loveliness. In fact, years ago when I lived in Charleston, I knew such a woman.  To meet her on the street, one would have said she was plain, even unattractive.  Yet in photographs,  even without makeup,  her face was striking and remarkable.

I am not such a woman. I’m as plain as the proverbial mud fence—except in photographs, in which I look like a bowl of undercooked oatmeal.

So for me to have a file representing the highlights of my 64 years of life through photographic evidence is not only unusual, but was damned difficult to assemble. Nevertheless, I put it together and am even now in the process of turning it into a PowerPoint show, a storytelling event, eventually to be (I hope, and when I’ve acquired a few technical skills now absent) recreated as a video slide show, complete with music.

But the important aspect of this project is the reason I am doing it: because, several times in the past years, I’ve had to hunt through my collections of photographs for pictures of friends or family members who have recently died. To do this is to be assaulted by mixed emotions—heavy feelings that are hard to bear when one is already grieving.  Each time, too, I’ve wondered if the pictures I’ve chosen were the ones that this person would really have wanted to represent her life.  Which of these, I pondered, would have been her favorite photo of herself?

Which might she not have really much liked?  Is this a photo she would have preferred had never been taken?  An event she wanted to forget?

And while the act of looking through old photographs was wondrous and painful, time constraints limited what might have been a nostalgic journey through another’s life. The photos had to be located and selected quickly to be prepared for a funeral or memorial service.  There just wasn’t time to pick the perfect set of pictures to represent someone’s entire existence on this earth.

2000 Rebecca Xmas Crop

And so, for my survivors, this job will be already done. The photos will be chosen, the stories behind each of them told.  The one photo of my adult self that I have ever truly liked will be there and labeled as such; the events that I saw as the highlights of my existence will be arranged chronologically. If others choose to add to those memories with photographs representing memories of their own, they’ll be free to do so.  But the difficult work of recreating the important moments of my life  will be done.

It will be a special and loving farewell to those I love best, demonstrating how much I cared for them: that there exists an album of photographs of the woman who, always and forever, simply hated to have her picture taken.